Saturday October 8th
$10 advance / $13 at the door / 21+
With support from Metasota and Wake Self
Possessing a hyper-literate, intellectual style of rapping augmented with dizzying elocution that would tongue-tie even the fiercest auctioneer, Busdriver/ is eclectic and eccentric enough to cite vocalese jazz singer Jon Hendricks as a primary influence. Born Regan Farquhar, the Los Angeles MC was introduced to hip-hop culture early — his father wrote the screenplay to one of the earliest films focusing on hip-hop, Krush Groove. He began rapping at age nine, releasing his first record at age 13 with his group, 4/29, named after the 1992 L.A. riots. By the mid-’90s, Busdriver was a regular at the Project Blowed open mike, where he would meet future collaborators and underground luminaries like Aceyalone, Abstract Rude, and Freestyle Fellowship. And shortly after, the vinyl did flow. Busdriver guested on upward of 20 singles, and by 2001 he could no longer be contained by guest spots, releasing his first full-length, Memoirs of the Elephant Man. There were just as many detractors as supporters for his singular style, which was so densely packed it made his chosen name seem a reference for multiple-personality disorder, and the lo-fi production also left more listeners scratching heads than nodding them. His next album, This Machine Kills Fashion Tips (2002), continued in a similar manner before being trumped by better production and more focused rhymes on Temporary Forever the same year. Joined by another West Coast avant-garde MC, Radioinactive, and the breezy, fractured pop of electronic producer Daedelus, Busdriver released yet another odd puzzle piece in 2003, Weather. Fear of a Black Tangent followed on Mush in 2005. After moving to Anti/Epitaph, the rapper issued RoadKillOvercoat, which featured production from Nobody and Boom Bip. His second Anti release, Jhelli Beam, appeared in 2009 and he took a three year break before returning on Fake Four with Beaus$Eros, a strange departure into electro pop that featured production by Loden. The Perfect Hair album from 2014 was a return to form but on a new label for the artist, Big Dada.
His next project, Thumbs, was made as a mixtape by Busdriver to further explore the concept of a homogenous citizenry from his last record Perfect Hair. It draws from the defining musical tropes of the LA underground rap experience with the isolation born from racial politics fixed as a central theme. Frequent collaborators such as milo, Mono/Poly, Kenny Segal, Fumitake Tamura all appear for the most action-packed Busdriver release to date.
Metasota first made a name for himself as a battle rapper in the Twin Cities. After tasting success on the underground battle scene. Metasota decided to focus his energy on becoming a successful artist in the traditional studio setting. Since then Metasota has become more known for his amazing stage presence, intelligent lyrics, witty punch lines, and his whimsical sense of humor. Metasota is constantly working to perfect his craft as an artist so he can deliver his message through his music. Inspired by such rap legends as Outkast, Common, Jay-z, and Nas, Metasota has an unrelenting drive, and plans on taking his music to the next level.