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Son Lux is the grand genre-less dream of Los Angeles composer Ryan Lott brought to roiling, vivid life with the help of two New Yorkers, guitarist Rafiq Bhatia and drummer Ian Chang. Each is a writer, producer, and performer with omnivorous taste and a penchant for wild improvisation. The band’s unique mix of electronic pop, unusual soul, and outright experimentalism feels more inviting than ever on their fifth album, Brighter Wounds. The songs therein leave behind Son Lux’s typical universal themes for deeply personal fare. While making Brighter Wounds, Lott became a father and lost a family member to cancer. Days of “firsts” were also days of “lasts,” and the normal fears that accompany parenthood were compounded by a frightening new reality—Lott’s son arrived shortly after Election Day. These songs draw on all of that: warm reflections of a fading past, pain wrenched from a still-present loss, and a mix of anxiety and hope for a future that is promised to no one.
Lott’s voice, which ranges from ghostly whisper to choir-backed shout, is propelled by the trio’s most dynamic score yet. Listen to the anthemic roar of “Dream State.” A yell blasts through a cloud of woodwinds and synths, and the song is off on a ceaseless tear. “Though we are wide awake, this is a dream state,” Lott sings through the technicolor haze, clinging to opposites. A momentary breath breaks the stride, before the journey resumes with even greater abandon. A choir enters the fray at the song’s apex with a refrain heard elsewhere on the album: “out of the dark day, into the brighter night!”
Launched in 2008 with At War with Walls & Mazes, Son Lux was initially a solo affair, the result of a classically trained mind straining against the constraints of the medium, turning piles of self-sourced note snippets into pulsing digital orchestras. Across 2011’s We Are Rising and 2013’s Lanterns, Lott maintained his auteur approach while broadening the Son Lux sound and guest list to unexpected results. The latter album drew the attention of several major pop acts, many of whom incorporated moments from the album into their own works (Halsey, Fashawn, Fall Out Boy). Lorde even teamed up on a redux of “Easy,” and covered the song on tour. Bhatia and Chang, first brought on to help tour Lanterns, soon found a home in Son Lux, cowriting 2015’s Bones with Lott while on the road. Brighter Wounds initially took shape remotely—the distance allowing Lott to sift through life-altering events—and was finalized together. The result is Son Lux’s most dynamic, most frayed and yet prettiest and most inviting work to date.
In recent years, Son Lux has collaborated with a broad and eclectic collection of artists, including Moses Sumney, Nico Muhly, Chris Thile, Beyoncé producer Boots, and Woodkid. Lott’s extracurriculars have included Sisyphus (with Sufjan Stevens and Serengeti), scoring three feature films and composing music for the Grammy-winning record Filament by Eighth Blackbird. Meanwhile, Bhatia and Chang have each continued to develop their solo projects while working with the likes of Matthew Dear, Vijay Iyer, Sam Dew, and Landlady.