Across Dimensions: A Conversation with the Artists of Meow Wolf Denver

For Dice51, Cami Galofre, and Douglas A. Schenck (DAS), 2025 was a year of fruitful collaborations and new creative ventures. Each artist, in their own way, constructs environments where the familiar dissolves into something mythic: graffiti becomes a cosmic saga, color becomes living terrain, machinery becomes memory. Continuing our conversation with Galleri Gallery curator Brandon Vargas, we spoke to the Convergence Station artists about what they've been up to and what they’re excited about. 

To start, we talked about the installations they contributed to Meow Wolf Denver. Dice51’s offering is a piece called G.O.T.M. Vol. 1, a 3D painted structure that pulses on C Street in black, red, white, and gold. He explained that the piece “tells a story of an interdimensional graffiti crew on the hunt to harness the powers of the Gods Of The Multiverse.” 

Cami Galofre’s Macarenia is a multi-sensory abstracted ecosystem that celebrates the spontaneous joy of being lost. She explained, “It is a liminal space of magic where color and memory meet. Macarenia clavigera is the scientific name of the endemic aquatic plant species that gives the Caño Cristales river in Colombia its vibrant coloring. This river is commonly known as the Liquid Rainbow.” 

Finally, Douglas A. Schenck (DAS) explains his original installations at Meow Wolf, in Eemia near the giant cathedral, in an icy cave called Awakening of the Forgotten Past It includes nine of his "machines", which are meant to look like incredible technology from a previous civilization that existed before the ice age. The ice is now melting, and revealing these ancient machines. DAS’ new install for this show follows a similar style of machinery, but on a much larger scale. He said, “It is a whole wall of machinery and mechanisms that light up, and look like they serve a very important purpose, which remains unknown to the spectators.”

We asked the three what they’ve been up to lately and if any projects, shows, or moments shaped their practice this year. Some are traveling and spreading their art through the globe while others are building roots in Colorado. Dice51 has been showing across the U.S. and preparing for an international tour that begins in Japan. He said, “The work has been shifting — I’m pushing my graffiti storytelling into more sculptural and mythic territory.”

‍

‍

Meanwhile, Cami has balanced personal creation with curatorial and community work, serving as a juror on public art panels, curating a fundraiser for Revel, and working on a project for Jeffco Libraries with BMoCA and Burning Man’s Art Department. 

Additionally, just like any active artist, DAS has been keeping busy with lots of custom installations and shows throughout Colorado. He is currently a resident artist at Spectra Art Gallery, where he makes pieces for their immersive experiences and gift shop. 

‍

‍

As Dice51 plans to tour Southeast Asia, Cami continues to focus on community art, and DAS itches to build more outdoor installations, Convergence Station glows because of their creative brilliance. Whether it’s Dice51’s mythic graffiti, Galofre’s living ecosystems, or Schenck’s mechanical relics, their installations at Meow Wolf Denver remind us that world-building isn’t a one-time event; it’s an ongoing conversation between artists and audiences, between reality and imagination.

As they look toward the future of international tours, new commissions, fluid collaborations, and the unknown, they carry forward the same spirit that built Convergence Station: a belief that art can be both a portal and a gathering place.